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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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LATIN - BOSSA - WORL…
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MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Note4Piano
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avec play-along
Non classifié
1091
PIANO & CLAVIERS
Piano seul
301
Instruments en Do
146
Piano, Voix
112
Piano, Voix et Guitare
69
Piano Facile
68
Orgue
59
1 Piano, 4 mains
10
Piano Trio: piano, violon, violoncelle
8
Piano Quatuor: piano, violon, alto, violoncelle
7
Accompagnement Piano
7
Accordéon
4
Piano (partie séparée)
3
Clavecin
2
Orgue, Trompette (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
105
Ligne De Mélodie, (Paroles) et Accords
59
Guitare
45
Ukulele
21
Dulcimer
15
Mandoline
14
Basse electrique
8
Banjo
5
Paroles et Accords
4
2 Guitares (duo)
3
3 Guitares (trio)
2
Piano, Guitare (duo)
1
Basse électrique (partie séparée)
1
Guitare (partie séparée)
1
Mandoline, Guitare (duo)
1
2 Dulcimers (duo)
1
Ensemble de Ukulélés
1
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VOIX
Chorale SATB
251
Chorale 3 parties
61
Chorale 2 parties
61
Chorale Unison
39
Chorale TTBB
21
Voix duo, Piano
13
Voix duo
11
Chorale SSAA
8
Chorale
6
Voix seule
6
Voix Soprano, Piano
3
Voix Tenor
1
Voix Mezzo-Soprano, Piano
1
Voix moyenne, Piano
1
Voix haute
1
Soli, choeur mixte et accompagnement
1
Voix Alto, Piano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
50
Clarinette et Piano
45
Saxophone Alto et Piano
37
Quatuor de Saxophones: 4 saxophones
34
Hautbois, Piano (duo)
34
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
34
Quatuor de Clarinettes: 4 clarinettes
30
Quintette de Saxophone: 5 saxophones
28
Flûte, Hautbois, Clarinette, Basson
28
Flûte traversière
27
Saxophone Soprano et Piano
26
Saxophone Tenor et Piano
26
Clarinette
21
Saxophone (partie séparée)
19
Ensemble de saxophones
19
2 Saxophones (duo)
18
Ensemble de Clarinettes
18
2 Flûtes traversières (duo)
15
Saxophone Alto
14
Clarinette (partie séparée)
11
Saxophone Baryton, Piano
11
2 Clarinettes (duo)
11
Hautbois (partie séparée)
9
Ensemble de Flûtes
7
Cor anglais, Piano
7
Flûte, Clarinette (duo)
7
Quatuor de Flûtes : 4 flûtes
7
Clarinette Basse, Piano
5
3 Saxophones (trio)
5
Harmonica
5
2 Hautbois (duo)
5
Trio de Flûtes: 3 flûtes
4
Quintette de Flûte : 5 flûtes
4
Saxophone et Harpe
4
3 Clarinettes (trio)
4
Flûte, Hautbois, Clarinette (trio)
3
Flute (partie séparée)
3
Saxophone, Clarinette (duo)
3
Flûte à bec Alto, Piano
2
Saxophone et Guitare
2
Clarinette, Trompette (duo)
2
Flûte, Violon
2
Clarinette et Alto
2
Flûte à bec Soprano
2
3 Flûtes à bec (trio)
2
Clarinette, Violon (duo)
2
Hautbois, Basson (duo)
2
Hautbois
2
Cor Anglais
1
Clarinette, Harpe (duo)
1
Clarinette, Contrebasse (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Clarinette, Piano (trio)
1
Instruments en Mib
1
Flûte, Violon et Violoncelle
1
Piccolo
1
Flûte, Violon, Piano
1
Hautbois, Harpe
1
Saxophone
1
Flûte, Trombone (duo)
1
5 Flûtes à bec
1
Flûte, Alto (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Saxophone (duo)
1
Clarinette, Guitare (duo)
1
Clarinette, Tuba
1
Hautbois, Violoncelle
1
Cor anglais et Harpe (duo)
1
Quatuor de Flûtes à bec
1
Hautbois, Flûte
1
Flûte à bec Alto
1
Quintette de Clarinettes: 5 clarinettes
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
71
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
51
Trompette
37
Trombone et Piano
35
Trompette, Piano
28
Cor et Piano
24
Trompette (partie séparée)
15
Trombone
13
Ensemble de Trombones
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Euphonium, Piano (duo)
11
Trombone (partie séparée)
11
Tuba et Piano
10
2 Trompettes (duo)
10
Cor (partie séparée)
9
Ensemble de Trompettes
8
Cor
8
Cor anglais, Piano
7
2 Trombones (duo)
7
Quatuor de cuivres: 4 cors
5
2 Cors (duo)
5
Ensemble de Cors
4
Trompette, Cor (duo)
3
Quatuor de cuivres: 4 trombones
3
Trompette, Trombone (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Tuba (partie séparée)
2
Trompette, Saxophone (duo)
2
Trio de Cuivres
2
Quatuor de Cuivres
2
Tuba
2
Cor et Harpe
2
Cor Anglais
1
Trombone basse et Piano
1
Tuba et Orgue
1
Euphonium
1
4 Tubas
1
Instruments en Sib
1
Trompette, Harpe
1
Cor anglais et Harpe (duo)
1
3 Trombones (trio)
1
2 Tubas (duo)
1
Bass Clef Instruments
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
76
Violon et Piano
59
Violoncelle, Piano
46
Alto, Piano
37
Harpe
36
Violon
26
Violoncelle (partie séparée)
20
2 Violons (duo)
15
Trio à Cordes: violon, alto, violoncelle
14
Violon (partie séparée)
14
2 Harpes (duo)
11
Violon, Violoncelle (duo)
10
2 Violoncelles (duo)
10
Contrebasse (partie séparée)
10
Trio à Cordes: 2 violons, violoncelle
7
Piano Trio: Violon, Alto, Piano
7
Violoncelle
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violon, Alto (duo)
6
Alto seul
6
Ensemble d'Altos
5
Ensemble de Violons
5
Alto (partie séparée)
5
Contrebasse, Piano (duo)
4
Harpe, Flûte (duo)
4
2 Altos (duo)
4
Contre Basse
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violoncelle , Guitare (duo)
3
Violon, Guitare (duo)
3
Flûte, Contrebasse (duo)
3
Harpe, Violon (duo)
3
Violoncelle, Contrebasse (duo)
2
Quatuor à cordes: 4 violons
2
4 Violoncelles
2
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
Violon, Basson (duo)
1
Alto, Guitare (duo)
1
Violon, Basse continue
1
Trio à Cordes: 3 violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
375
Orchestre à Cordes
62
Orchestre
34
Ensemble de cuivres
33
Cloches
31
Orchestre de chambre
27
Ensemble Jazz
15
Ensemble de Percussions
14
Percussion (partie séparée)
9
Batterie
6
Instrumentation Flexible
6
Marimba
4
Timbales (partie séparée)
4
Ensemble d'École
3
Batterie (partie séparée)
2
Fanfare
1
Jazz combo
1
Vibraphone
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
1
Théorie de la musique
1
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Piano Trio: piano, violon, violoncelle
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The First Noel for Piano Trio
Piano Trio: piano, violon, violoncelle
Piano Trio - Level 2 - Digital Download SKU: A0.549903 Composed by Traditional. Arr…
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Piano Trio - Level 2 - Digital Download SKU: A0.549903 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 9 pages. Jmsgu3 #3685139. Published by jmsgu3 (A0.549903). Arranged with new harmony for the final verse. Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s.  Stainer is, above all, famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol.  Other famous Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling â like maybe it never ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
23.29 €
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Piano Trio: piano, violon, violoncelle
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Traditional
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James M
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The First Noel for Piano Trio
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jmsgu3
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SheetMusicPlus
Away In a Manger for Piano Trio
Piano Trio: piano, violon, violoncelle
Piano Trio - Level 1 - Digital Download SKU: A0.548637 Composed by Mueller. Arrange…
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Piano Trio - Level 1 - Digital Download SKU: A0.548637 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 6 pages. Jmsgu3 #3405971. Published by jmsgu3 (A0.548637). Arranged for Piano Trio with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the music has become known as Mueller. Nobody knows who this Mueller is, but the name stuck. Popularity By the 1880's the cradle song was being performed in church. By the 1990's the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton Yet another arrangement uses the songs to an old Normandy carol.Â
$24.95
23.29 €
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Piano Trio: piano, violon, violoncelle
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the 1880's the cradle song was being performed in church
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Mueller
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James M
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Away In a Manger for Piano Trio
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jmsgu3
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SheetMusicPlus
O Come All Ye Faithful for Piano Trio
Piano Trio: piano, violon, violoncelle
Piano Trio - Level 1 - Digital Download SKU: A0.548647 Composed by Wade. Arranged b…
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Piano Trio - Level 1 - Digital Download SKU: A0.548647 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3407487. Published by jmsgu3 (A0.548647). O Come, All Ye Faithful O Come, All Ye Faithful arranged for piano trio ( piano, violin & cello) featuring a thought-provoking re-harmonization of the final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604â1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, other poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
23.29 €
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Piano Trio: piano, violon, violoncelle
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Wade
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James M
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O Come All Ye Faithful for Piano Trio
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jmsgu3
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SheetMusicPlus
Minimally Fantastic Suite for Piano Trio No. 1
Piano Trio: piano, violon, violoncelle
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - Digital Download …
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.1135288 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. 38 pages. Steven Mark Kudlo #735327. Published by Steven Mark Kudlo (A0.1135288). For violin, cello, and piano, this composition is in six movements, combining neoclassical, expressionist, and common practice styles in each movement. There is at least one meter change in each movement, each movement with a different tonal center. The overall impression is neoclassical, but there is a breadth of styles that is expressive. It could be called polystylism with some postminimalism. It's about 14 1/2 minutes in length.
$5.99
5.59 €
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Piano Trio: piano, violon, violoncelle
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Steven Kudlo
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Minimally Fantastic Suite for Piano Trio No. 1
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Steven Mark Kudlo
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SheetMusicPlus
Mendelssohn: Wedding March for Piano Trio
Piano Trio: piano, violon, violoncelle
Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy …
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Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohnâs Wedding March is so popular that itâs difficult to imagine a wedding without it. It seems like itâs been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohnâs music for the Shakespeare play A Midsummer Nightâs Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 â1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
$36.95
34.49 €
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Piano Trio: piano, violon, violoncelle
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Piano Trio
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jmsgu3
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SheetMusicPlus
Happy Holiday
Piano Trio: piano, violon, violoncelle
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download …
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.624659 Composed by Irving Berlin. Arranged by Stephen DeCesare. Contemporary. Score and parts. 8 pages. Exultet Music #4796605. Published by Exultet Music (A0.624659). The commonly regarded Christmas song which was featured in the film Holiday Inn has now been freshly arranged as a duet for Violin and Cello with Piano accompaniment. Accessible and appropriate for any school or concert setting.
$4.99
4.66 €
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Piano Trio: piano, violon, violoncelle
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Irving Berlin
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Stephen DeCesare
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Happy Holiday
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Exultet Music
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SheetMusicPlus
Pomp and Circumstance (Violin and Cello Duet with Piano Accompaniment)
Piano Trio: piano, violon, violoncelle
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download …
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1260424 Composed by Edward Elgar. Arranged by B. C. Dockery. 19th Century,Classical,March,Romantic Period. 6 pages. Ben Dockery #853591. Published by Ben Dockery (A0.1260424). Most commonly heard as a graduation processional, this is Edward Elgar's Pomp and Circumstance, March No. 1. Arranged for violin and cello duet with optional piano accompaniment. Great for lessons, recitals, graduation and commencement services. Easy intermediate level. Includes score and parts.
$4.99
4.66 €
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Piano Trio: piano, violon, violoncelle
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Edward Elgar
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B
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Pomp and Circumstance
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Ben Dockery
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SheetMusicPlus
Piano Trio
Piano Trio: piano, violon, violoncelle
Piano Trio Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.973240 Composed …
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Piano Trio Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.973240 Composed by Lynn L. Petersen. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. 44 pages. Lynn L. Petersen #4744581. Published by Lynn L. Petersen (A0.973240). Piano Trio (2016) was premiered at Big Sky Alive! 2016 in Kalispell, Montana. The melodic and harmonic material is based on modes of the ascending melodic minor scale commonly heard in jazz. The scales vary between the four movements and each movement is based on a different mode derived from those scales: Lydian Dominant, Locrian sharp-2, Lydian Augmented and Diminished Whole-Tone (Altered). Duration 12:15. Advanced level. Suitable for recitals and chamber music concerts.
$28.00
26.13 €
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Piano Trio: piano, violon, violoncelle
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Lynn L
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Piano Trio
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Lynn L. Petersen
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SheetMusicPlus
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